The conventions that the music genre (electro-pop/dance pop)
I selected were a crucial aspect of the planning for my media products. During
my research into the conventions of the research for my music video project, I
recognised that the majority of the videos that fall under this genre tend to
go for the group, party and celebratory vibe with an energetic and happy mood
for the entire video. I wondered what it would the outcome would be if I
challenged these popular techniques and went for a different idea for my music
video. The song I had selected to create my music video for was Icona Pop’s ‘I
Love It’ which explains that the singers are simply not concerned and do not
care about their recent break up from their partner. Which prompted me to
attempt to twist the idea of this and question what would happen if this wasn’t
necessarily
the case, what if the song
was simply a front to act that they’re coping well with the break-up but
their ‘inner self’ are actually broken? This also links to Richard Dyer's representation theory which questions 'what sense of the world is it implying?', 'what does it imply?' and 'is it typical of the world or deviant?' within this situation, it's asking if it is a regular occurrence for people to react in this way. It's asking if people are actually like this in real life and if there needs to be more awareness of people going through heartbreak. This idea then progressed and I planned
to have two characters within one during the video (the ‘inner self’ and the
‘fake front’ characters) in which neither of them would party with their
friends, they would instead perform aggressive and wild behaviour (as the ‘fake
front’ character) or being crying and singing on a river side (as the ‘inner
self’ role.) The activities that the ‘fake front’ character carries out in the
video does relate to the conventions used regularly in music videos of this
genre-characters in these videos often perform wild and drunken behaviour with
their friends at a party. She also wears less clothing for the other aspect of the character, she wears leather hot pants and a revealing top to sexualise herself. This is in line with Laura Mulvey's theory of 'the male gaze' in which she states that the display of the women in question is how the men believe they should be perceived and female viewers view the media product through the eyes of a man. After a day of filming, the footage I had produced
was very successful and I was able to make it clear the two characters within
the video from the use of costume and the acting of my actress. It soon became
apparent that despite having plenty of footage to utilise, there simply wasn’t
enough variety to complete a successful video, therefore another day of
shooting was required. However, there was an issue-since the first filming day
my actress had dyed her hair an auburn colour, which would break continuity
with my other footage. I then realised that continuity is not a convention of
music videos, especially because my video is abstract so therefore this would
not be an issue. We carried out the second day’s filming and again it was a
successful shoot, I produced some good footage that would be very helpful in
post-production. In post-production a recurring issue was that it wasn’t at all
times clear that there was a split-personality (two characters) within the
video. It was then suggested to me that I added a black and white/greyscale
filter to the footage featuring the character showing her ‘inner self’,
instantly making it much clearer. Overall, I am rather happy with the final music video. I think despite it not following all conventions of the music genre fully, I think I still have followed a lot of conventions such as shot transitions occuring on the beat within the music, the framing techniques of my video being very similar to those within the genre and the artist carrying out aggressive and wild acts, similarly to the artist within professional media texts.When I was researching professional media texts for the Magazine Advertisement I noticed that a lot of the texts included the album's front cover on the poster and incorporates it very much within the advertisement. I began looking into these ideas and how media texts of this style handle this and go about doing it. The majority of the advertisements had an image of the front cover at the bottom of the page. And normally used an image that was similar to the album artwork image in the poster, included the same font style within the poster that the album cover uses and the same with the colour. I began the process of creating my magazine advertisement for my album and completed numerous drafts. When I had completed my final first draft, I was not satisfied with it at all, to me it seemed a little unprofessional and rather amateur. I then decided to refer back to some other existing texts to try and gain some more inspiration for my product. I eventually came across some texts that heavily influenced me. One existing product had the background image filtered in black and white with the text in a contrasting colour to make it stand out on top of it. I took inspiration from this and did this with my final product. Another included the UK tour dates of the artist at the bottom of the advertisement. I had not seen this before during my research and it stood out to me as an interesting idea. I decided to use both of these ideas in my final product as they were both clever and interesting techniques to include in my advertisement. In order to follow the conventions of the genre, I used the same font style that is in the digi-pak for all of the text in the magazine advertisement, as well as the same colours that I have used for the entire project. I am now reasonably happy with my final product of the magazine advertisement as I feel it relates very much to the conventions of my chosen music genre and looks more professional than my previous drafts.
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